
The Empty Harbour
A harbour watchman has read his cove's warning stone for fifty-three years. He helped set it as a boy, and never once asked what it actually protects.
Kruno Vidović had read the water at Brizga Cove correctly for fifty-three years, and the water had never yet needed him to be wrong.
He did the same thing every morning before opening the mole to boats: walked to the outer stone, laid two fingers against the chiselled line at its base, and checked the sea against it the way you'd check a patient's pulse.
If the water sat level with the line, the cove was calm. If it sat lower, everyone off the water until it came back up. That was true this morning. It would not still be true by noon.
"You always touch it first," Iva said, notebook open on her knee, watching him from the bench with the look she gave everything these days — like a machine she'd been assigned to take apart. Twenty years old, three weeks into her apprenticeship, sharper already than the last four boys he'd trained put together.
"Habit," Kruno said. "Older than you."
"Habit's not a reason."
"It's the one you're getting today."
She wrote it down anyway. She wrote down most of what he said, useful or not, which he found more endearing than he had any plan to admit to her directly.

The rule at Brizga was simple enough to hand a child, and Kruno had handed it to plenty: when the water starts dropping fast, get everyone off the mole and off the water, and nobody goes back out until it's level again.
The old-timers called the whole business the Draw, as if it were a bad-tempered relative rather than a weather pattern. Kruno had stopped correcting them decades ago.
"Why does it draw here and nowhere else up the coast?" Iva asked, the third time that week.
Kruno already had the answer, same as always. "Every cove's got its own temper," he said. "Ours draws. The coves further up don't. Nobody's ever needed a better reason than that."
"As long as anybody's kept the watch" was how he usually finished that sentence, and it sounded, every time Iva wrote it down, a great deal more ancient than it actually was.
Vlado found them at midmorning, walking down from the records office with a cardboard tube under one arm and the gait of a man who had finally, after forty-one years, stopped being in a hurry about anything.
He was retiring at the end of the month. He'd spent a month clearing a filing cupboard nobody had opened since it was new.
"Found something with your name on it," Vlado said, setting the tube on the bench like it weighed more than cardboard should. "Sixty-three survey. You'll want to see it before I burn what's left of that cupboard, which I fully intend to."

"Later," Kruno said, eyes already back on the water. A small skiff had come around the point early, a boy at the tiller he didn't recognise.
"Filip," Vlado said, following his look. "New. Not yet in the habit of paying attention to old men who stand on stones all morning."
The skiff came on anyway, which is what boats do when nobody has ever told the person steering them what the water looks like right before it lies.
Kruno was on his feet before he'd finished deciding to be. "IVA," he shouted. "Flag."
She was already up, red flag cutting hard across her body, shouting the boy's name into wind that ate half of it. Filip lifted one hand in a cheerful, useless wave back, mistaking a warning for a welcome, and held his course straight for the mole.
The water dropped.
Not the ordinary way water drops with a receding wave — all at once, and fast, sucking back off the stones in one long wet drag, baring twenty feet of black mud and old chain that hadn't seen daylight in a year. The skiff's hull scraped bottom and stopped dead in a channel that had been six feet deep a minute before.
"Get him OUT," Kruno shouted, already moving, and it was Iva who reached the boy first, flat on her stomach on the exposed stone, screaming his name until he finally looked at her instead of the empty harbour under his own boat.

The water came back as it had left, all of it, all at once, a wall a man could not have outrun, and it lifted the little skiff and slammed it broadside into the mole hard enough to crack a plank before Iva's boat hook found Filip's life vest on the second try.
Between them they hauled him up onto the wet stone, soaked and shaking and laughing the too-loud laugh of a boy who does not yet understand how close a thing was.
"You watch the line before you cross. Every time. Forever," Kruno told him, with a grip on the boy's shoulder he could not make himself loosen.
Filip said yes sir, and meant it completely, for about a week.
Iva sat back on the stone once he was safe, staring at the empty, filling harbour like it had personally lied to her. "It's never drawn that hard. Not since I started."
"Draws harder some mornings," Kruno said, which was true, and which he had said so often over fifty-three years that it had stopped sounding like an excuse to him a long time ago.
It was Vlado, the cardboard tube back in his hands, who broke the quiet after. "Kruno. The survey. Now, please."
They unrolled it on the bench, weighting the corners with stones: the 1963 extension of the mole's eastern arm, forty metres of quarried block laid in five weeks flat to beat a shipping contract nobody now remembered the name of.

A note in a young clerk's careful hand sat beside the final measurement: run shortened nine metres from spec, material shortfall — authorised on site, K. Vidović, apprentice mason, age sixteen.
Kruno looked at that line for a long time before he said anything.
"I made that call," he said finally, quiet, the pride gone clean out of a story he'd told for sixty years as his proudest afternoon's work. "Foreman let me choose because he liked me. I chose to finish on time."
"So?" Iva said. "You were sixteen."
"The old harbour logs don't mention a bad draw before this survey," Vlado said, not unkindly, because somebody had to say it. "Not once, not in a hundred and forty years of keeping this cove's book. It starts the winter after the arm went in."
Iva looked between the two men, the understanding arriving on her face half a second before she wanted it to. "Shorter arm changes how long it takes the water to slosh back on itself. You built us a basin tuned to the exact weather that used to just roll past."
"It's not the cove's temper," Kruno said. "It's the stone's. It was never the cove's."
Nobody spoke for a while. The water kept doing what it had done all his life, patient and entirely explicable, which somehow made it worse, not better.

"You have to tell someone," Iva said. "The harbour authority. Move the arm back."
"Forty metres of dressed block, load-bearing on a working mole, because an old man's memory says a note from sixty years ago is worth more than his own name on it." Kruno rolled the survey closed, slow, the way you close something you are ashamed of wanting to keep.
"They'd rebuild the whole eastern arm. Every boat in this cove loses two seasons to it, for a shortfall I okayed before I could grow a proper beard."
"For the next Filip," Iva said. "For the next one who doesn't know to watch the line yet."
"I know," Kruno said, and it cost him to say it, standing there with fifty-three years of being the man who read this water correctly propping up every lesson he had ever taught at this mole. "Give me time to think how to say it so it doesn't end my whole life's telling of it."
She didn't answer that. She picked her notebook back up instead, because the sea doesn't wait for a man to finish being ashamed of himself, and there was a shift left to stand, and somewhere past the point another boat was already coming on toward the mole.
Kruno watched her check the water against the outer stone the exact way his own hand always had, two fingers flat against the chiselled line, without her seeming to notice she'd done it at all.
Sixty years ago, when that line was newly chiselled and his own hands had helped set the stone, nobody had told him to start touching it either. He had simply always believed his own hand found that stone on its own.
He said nothing. He only watched her hand go there, slow, two fingers flat, and let her believe the same thing.